Morning, Aspens in Autumn

Here is a little evolutionary study. I have been thinking for a long time about painting more the way we see and perceive; so that the center of the painting is clear and ‘realistic’, but the edges are less defined. I have, I suspect, many years ahead of working this out.

Here I started with a fairly loose painting of a scene I found in the Sangre De Christo Mountains early one fall morning. I neglected to take a photograph of any earlier stages, including the ochre to blue to yellow graduated underpainting…
First I focused on tightening up the center of the image and leaving the rest to steep in my mind. I left the underpainting towards the edges and just indicated the trees there.
The scumbly quality of the yellow canopy bothered me, so I cleaned it up a bit and added a little more detail in the trees at center. After each of these stages I worked on other things while I thought about it. This stage irritated me when I looked at it.
Now where I left the underpainting on the trees at the edges bothered me, so I worked enough on them to show the darkness there, and just began a little to show some detail in the foreground. There are, if you look close, still pen and felt marker marks in places, particularly in the small branches.
Here’s the final painting. A LOT of time went by as I kept looking at this. I decided I wanted to show the differentiation in the yellow leaf canopy, and worked on the foreground more, as well as cleaning up lots of other areas. There are things I love about the first stab at this, but I think it will take a while to be able to get both qualities in one painting!
Finally, a brief word about photography. I work from photographs that I take when I am pretty far away from civilization, and usually at the early and late ends of the day, or else in the middle of the night. I learn a lot from plein air painting, and intend to do more of it, but usually the scenes that I am moved to paint are momentary and change quickly, as well as being wicked hard to get to with painting gear. I shoot RAW images, and then grade them in Lightroom to be more like what I saw or want to see. Here is the original image before being graded.
This is the same photograph after being graded…

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