This is an oil painting from a long – and beautiful – hike up to Conundrum Hot Springs near Aspen, Colorado. I looked back up the mountain on the way down, completely soaked, and loved the view up to the top with the mist still swirling from the rain. Here’s the stages along the way:
This painting is from a visit to Crestone, Colorado early last fall. It’s on the west slopes of the Sangre De Christo Mountains, and overlooks what was once the huge Lake Alamosa, and is now a large plain. The Cottonwood Trail heads up into the mountains and I was struck by this exquisite scene. The early sun was just starting to rise high enough above the mountains to illuminate the magical world I was in, and I decided to make a painting of it. It’s crazy complicated, but kind of perfect, and I was sort of entranced by the combination of landscape and light. Here are the stages along the way:
This is a painting from a hike in the Pecos Wilderness in the summer. I was up on Hamilton Mesa and got caught in a heavy rainstorm, and ended up standing under a tree for over an hour waiting for the rain to abate. As usual, I fell in love with the image and the mood, and as I started working I realized how challenging it would be. But by then it was too late! I started this almost exactly one year ago, and just finished it. Here are some of the stages of the painting along the way:
Here is a little evolutionary study. I have been thinking for a long time about painting more the way we see and perceive; so that the center of the painting is clear and ‘realistic’, but the edges are less defined. I have, I suspect, many years ahead of working this out.
A dear friend and old colleague wanted me to make a painting of his stepdaughter (daughter) and her horse. These are some of the steps towards making this oil painting for them.
I wander around at night sometimes, partially to be out in the wilderness at dawn or twilight, but also because the night itself is so powerful and magical to me. This is overlooking the Chama River as the moon rose early one morning; I was actually heading somewhere else but had to stop. This is another painting ( 3′ x 3′) that I started as an acrylic, and then was able to finish once I started painting in oils.
This is a large (3′ x 4′) painting that I started a while ago and just finished, showing the valley and mesas on the way to the southern entrance to Canyonlands National Park one morning. It’s from a car trip back from San Francisco when my wife Melinda and I traveled through Utah, where she is from originally. I began it as an acrylic painting and got stuck for a while. Even using Open Acrylics, I had a hard time feathering edges and gradations of transparent color. Once I started painting in oils, the problems that I couldn’t overcome using acrylic seemed solvable to me, (still hard but solvable) so I was able to finish.
This is a fascinating article about Monet and his behind the scenes struggles. I also just finished Susan Vreeland’s The Luncheon of the Boating Party about the famous work by Renoir and what went into it, which I highly recommend.
These are from a lovely foggy autumn day in Big Ivy, North Carolina driving up state road 2173 to Douglas Falls. I was visiting my sister and her family in Asheville and my brother in law and he took me to this special place.
This was a year ago, and I was too depressed with the political news, and a beloved dog dying to post them, so I waited a year to do it. It’s such a lovely place that I didn’t want to not post them! And now of course we are surrounded by two new young canine family members…
My lovely and talented wife, Melinda Tidwell, recently traveled to Seattle to work with the great Carla Sonheim (https://www.carlasonheim.com/) to film a series of online collage/composition workshops. I took the opportunity to wander around up there and here are some photographs from those rambles.